PARADISE BLUE

May 1, 2025 - July 6, 2025

DIRECTED BY RAYMOND O. CALDWELL
LOCATION VICTOR SHARGAI THEATRE
BY DOMINIQUE MORISSEAU

Detroit, 1949. Welcome to Paradise, a jazz club that’s seen better days. Blue, the club’s trumpet-playing owner, is ready to leave this town and his family demons behind. But his house band and his best girl have dreams of their own, so when hardboiled widow Silver enters the picture looking for some businessand some pleasurelove, lust, and legacy collide in the fight for Paradise.

Studio transforms the Victor Shargai Theatre into a jazz club for Dominique Morisseau’s (Pipeline, Skeleton Crew) music-filled drama about resilience, self-preservation, and community. Join us 45 minutes before the showtime to order a cocktail at the Paradise bar (view the menu), enjoy a live jazz performance, and even eavesdrop on Blue, Pumpkin, and the other denizens of the Paradise as they get the club ready for another show. You’ve been to productions at Studio that put you within feet of the action onstage. This time, you're right in the middle of it. 

Please note: As of Wednesday, May 14, due to very high demand, wait times for phone calls to our box office are currently longer than usual. Your patience is appreciated.

SHOW INFORMATION

Runtime: 2 hours and 35 minutes with a 15 minute intermission.

Read the program.

Please note late seating will be determined at the discretion of House Management.

In the interest of welcoming people with a wide range of needs and life experiences, Studio offers a bit of information on what you will encounter in the play. Use this information as it is helpful to you.

Environmental Warnings:
This production of
Paradise Blue includes the use of herbal tobacco, haze, and gunshots.

Paradise Blue is generously underwritten by Bobbi and Ralph Terkowitz, with Josh O’Harra and Paul Massey & Albert G. Lauber and Craig Hoffman.

Calendar

June 2025
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Seat Map

Paradise Blue is an immersive theatre experience that utilizes cabaret and bar seating. Some seats may require the use of up to two steps, if you have any questions please contact the box office. Click through the zone information below to learn more about the different styles of seating.

Multimedia

The Artists

Cast

Musicians

Understudies

Production Team

SET DESIGN

Lawrence E. Moten III

LAWRENCE E. MOTEN III (Set Designer; he/him/his) is making his Studio Theatre debut with Paradise Blue. His work has been seen on Broadway with Chicken & Biscuits. Off Broadway credits include scenic designs for A Guide for the Homesick at DR2 Theatre, The Ghost of John McCain at SoHo Playhouse, The White Chip at MCC Theater, Covenant at Roundabout Underground, Patience at 2ST Uptown, and both Stew and Stargazers with Page 73. Regionally, Lawrence’s work has been seen at Shakespeare Theatre Company, Hartford Stage, The Old Globe, the Guthrie Theater, McCarter Theatre Center, The Santa Fe Opera, Wolf Trap Opera, American Players Theatre, Two River Theater, and many others. He currently teaches at Princeton University. Lawrence is a proud member of USA 829. motendesigns.com. On social media @motendesigns (Instagram). 

COSTUME DESIGN

Cidney Forkpah

CIDNEY FORKPAH (Costume Designer)’s credits include American Fast and The Trans-Atlantic Time Traveling Company at Theatre Alliance; hang and Quilters at 1st Stage; Fuenteovejuna, Bathing in Moonlight, KUMANANA! An Afro-Peruvian Musical Revue, and La Revoltosa at GALA Hispanic Theatre; Cracking Zeus at Spooky Action Theater; The Tempest at Devil’s Isle Shakespeare Co.; and Diagnosed at Creative Cauldron. Her associate costume designer credits include Look Both Ways: A Tale Told in Ten Blocks at Theater Alliance and The Kennedy Center, the national tour of On Your Feet!; On Your Feet! En Español at Gala Hispanic Theatre, Through the Sunken Lands and Show Way the Musical at The Kennedy Center Theatre for Young Audiences,Our Verse in Time toCome at Folger Theatre, August Wilson’s The Piano Lesson at Prince George’s Community College, and Julius Caesar and The Cherry Orchard at Shakespeare Theatre Company’s Academy for Classical Acting. She is Costume Supervisor with Folger Theatre. cidneyforkpah.com. On social media @cidneyforkpah (Instagram). 

LIGHTING DESIGN

Keith Parham

KEITH PARHAM (Lighting Designer) returns to Studio Theatre where he previously designed Pass Over, Translations, Hand to God, and The Father. His Broadway credits include Between Riverside and Crazy and Thérèse Raquin. His Off Broadway credits include Man from Nebraska at Second Stage; The Purple Lights of Joppa Illinois and Between Riverside and Crazy at Atlantic Theater Company; The Model Apartment at 59E59; Tribes, Mistakes Were Made, and Red Light Winter at Barrow Street Theatre; Stop the Virgens at St. Ann’s Warehouse and Sydney Opera House; Ivanov and Three Sisters at Classic Stage Company; A Minister’s Wife at Lincoln Center Theater; and Adding Machine: A Musical at Minetta Lane Theatre. Recent regional credits include the Goodman Theatre, La Jolla Playhouse, Arena Stage, and TUTA Theatre Chicago. International work includes Homebody/Kabul at the National Theatre in Belgrade, Serbia. He is the recipient of an Obie Award and a Lucille Lortel Award.  

SOUND DESIGN

Matthew M. Nielson

MATTHEW M. NIELSON (Sound Designer) returns to Studio where his design and composition credits include Hand to God, Clyde’s, The Remains, MotherStruck, The Real Thing, and Venus in Fur. His DMV-area credits include shows with Arena Stage, Ford’s Theatre, The Kennedy Center, Round House Theatre, Woolly Mammoth Theatre Company, Signature Theatre, Olney Theatre Center, Theater Alliance, the Contemporary American Theater Festival, and The Smithsonian Institution. Off Broadway credits include The Public Theater, Lincoln Center Theater, and 59E59 Theaters. Regional credits include the Guthrie Theater, Denver Center for the Performing Arts, Cincinnati Playhouse in the Park, Milwaukee Rep, Portland Center Stage, Actors Theatre of Louisville, Philadelphia Theatre Company, and Barrington Stage Company. Film and TV credits include Netflix, OWN, Discovery Channel, National Geographic, and Delivery.com. Matthew has received several Helen Hayes, regional theatre, and film festival awards for his sound design and composition work. curiousmusic.com.

DIALECT COACH

Kim Bey

MUSICAL DIRECTOR AND COMPOSER

William Knowles

WILLIAM KNOWLES (Music Director and Composer) is a composer, arranger, music director and pianist. His first theatre job was Bessie’s Blues at Studio Theatre in 1995 and he was delighted to return last year for The Colored Museum. William has also worked at Arena Stage, Mosaic Theater Company, CenterStage, Milwaukee Rep, MetroStage, Great Lakes Theater, Idaho Shakespeare Festival, and The 5th Avenue Theatre, where he will return this summer as music director for After Midnight. Offstage, he has released eight jazz CDs with music partner Mark Saltman, most recently Native Speaker. When not on the road, he can be found playing jazz gigs in the DC area. On social media @williamknowlespiano @saltmanknowles (Instagram). 

INTIMACY COORDINATOR

Sierra Young

SIERRA YOUNG (Intimacy Coordinator; she/ her) is a multi-hyphenate artist in the DC/Baltimore area. Sierra is an active member of the Society of American Fight Directors, Intimacy Directors & Coordinators, SDC, and serves as the resident fight and intimacy director for Mosaic Theater Company. Recent Studio credits include The Scenarios, Downstate, Exception to the Rule, and The Colored Museum. Recent DC choreography credits include The Age of Innocence, Jaja’s African Hair Braiding, and POTUS at Arena Stage; Sister Act and Little Shop of Horrors at Ford’s Theatre; Spring Awakening (HH nominated) at Monumental Theatre Company; King Lear (HH nominated) at Shakespeare Theatre Company; and Prayer for the French Republic at Theater J. Upcoming projects include Frankenstein at Shakespeare Theater Company, Twelfth Night at Folger Theatre, Head Over Heels at Constellation Theatre Company, and Porgy and Bess at the Washington National Opera. sierrayoung.org.

FIGHT CHOREOGRAPHER

Robb Hunter

ROBB HUNTER (Fight Choreographer) has directed violence for more than 25 Studio productions including Downstate, White Noise, Vietgone, Hand to God, Invisible Man, Superior Donuts, American Buffalo, Red Speedo (Helen Hayes [HH] nomination), and The Walworth Farce (HH nomination). He also directs movement/violence for Shakespeare Theatre Company, including for King Lear, Richard III (HH nomination), A Comedy of Errors and others; as well as Arena Stage, Folger Theatre, Woolly Mammoth Theatre Company (HH award for Hir and nomination for An Octoroon), Signature Theatre (DC), Ford’s Theatre, and others. He is a member of SDC, AEA, SAG/AFTRA, and one of only 21 Fight Masters recognized by the Society of American Fight Directors. He is the combat instructor at the Shakespeare Theatre Company Academy, Fight Choreographer in Residence at American University, and teaching artist for The Studio Theatre Acting Conservatory. robbhunter.org and on social media, @DCFightDirector (Instagram). 

DRAMATURG

Adrien-Alice Hansel

ADRIEN-ALICE HANSEL (Dramaturg; she/her) is the Literary Director at Studio, where she has dramaturged the world premieres of The Scenarios, Problems Between Sisters, Good Bones, John Proctor is the Villain, I Hate it Here, Queen of Basel, Red Speedo, and Lungs, among others, as well as productions of Summer, 1976; Exception to the Rule; The Colored Museum; Fat Ham; Fun Home; English; Curve of Departure; Wig Out!; and New Electric Ballroom; among many others. Prior to joining Studio, she spent eight seasons as a member of and then running the Literary Department at the Actors Theatre of Louisville and its Humana Festival of New American Plays. She is the co-editor of eight anthologies of plays from Actors Theatre and editor of 13 editions of plays through Studio. Adrien-Alice holds an MFA from the Yale School of Drama. 

PRODUCTION STAGE MANAGER

Lauren Pekel

LAUREN PEKEL (Production Stage Manager) returns to Studio Theatre after last working on Fat Ham. Some of her favorite Studio credits include Fun Home; Good Bones; People, Places & Things; Doubt; Cry It Out; Vietgone; P.Y.G. or the Mis-Edumacation of Dorian Belle; Skeleton Crew; The Father; and No Sisters. Her other DC credits include productions with Signature Theatre, Arena Stage, Folger Theatre, Woolly Mammoth Theatre Company, Theater J, Mosaic Theater Company, Theater Alliance, and The Kennedy Center. Regionally, she has worked with the American Conservatory Theater, the Peterborough Players, and Skylight Music Theatre among others. Lauren is an alumna of the University of Wisconsin Milwaukee’s Theatre Program with a BFA in Stage Management and is a proud member of Actors’ Equity Association. 

CASTING

Katja Zarolinski, CSA

KATJA ZAROLINSKI, CSA (Casting) is thrilled to be casting for another production for Studio Theatre. Katja is a New York-based casting director handling productions for theater, film and television. Previous casting work includes Broadway, off Broadway and regional productions at Alley Theatre, Arena Stage, Asolo Repertory Theatre, Baltimore Center Stage, Barrington Stage Company, Berkshire Playwrights Lab, Cape Playhouse, Chicago Shakespeare Theater, Connecticut Repertory Theatre, Contemporary American Theater Festival, Crossroads Theatre Company, Everyman Theatre, Florida Studio Theatre, George Street Playhouse, Goodspeed Musicals, Guthrie Theater, Irish Repertory Theatre, Kansas City Repertory Theatre, Marin Theatre Company, Merrimack Repertory Theatre, Olney Theatre Center, Oregon Shakespeare Festival, Pittsburgh CLO, PlayMakers Repertory Company, Pittsburgh Public Theater, The Repertory Theatre of St. Louis, Seattle Rep, Shakespeare & Company, Shakespeare Theatre Company, Signature Theatre (DC), South Coast Repertory, TheaterWorks Hartford, Virginia Stage Company, Weston Theater Company and many more. 

Press

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