Detroit, 1949. Welcome to Paradise, a jazz club that’s seen better days. Blue, the club’s trumpet-playing owner, is ready to leave this town and his family demons behind. But his house band and his best girl have dreams of their own, so when hardboiled widow Silver enters the picture looking for some business—and some pleasure—love, lust, and legacy collide in the fight for Paradise.
Studio transforms the Victor Shargai Theatre into a jazz club for Dominique Morisseau’s (Pipeline, Skeleton Crew) music-filled drama about resilience, self-preservation, and community. Join us 45 minutes before the showtime to order a cocktail at the Paradise bar (view the menu), enjoy a live jazz performance, and even eavesdrop on Blue, Pumpkin, and the other denizens of the Paradise as they get the club ready for another show. You’ve been to productions at Studio that put you within feet of the action onstage. This time, you're right in the middle of it.
Please note: As of Wednesday, May 14, due to very high demand, wait times for phone calls to our box office are currently longer than usual. Your patience is appreciated.
Runtime: 2 hours and 35 minutes with a 15 minute intermission.
Read the program.
Please note late seating will be determined at the discretion of House Management.
In the interest of welcoming people with a wide range of needs and life experiences, Studio offers a bit of information on what you will encounter in the play. Use this information as it is helpful to you.
Environmental Warnings: This production of Paradise Blue includes the use of herbal tobacco, haze, and gunshots.
Paradise Blue is generously underwritten by Bobbi and Ralph Terkowitz, with Josh O’Harra and Paul Massey & Albert G. Lauber and Craig Hoffman.
Paradise Blue is an immersive theatre experience that utilizes cabaret and bar seating. Some seats may require the use of up to two steps, if you have any questions please contact the box office. Click through the zone information below to learn more about the different styles of seating.
Dominique Morisseau is the author of The Detroit Project: Three Plays, including: Skeleton Crew (Tony Award nomination for Best Play), Paradise Blue, and Detroit ’67. Additional plays include Confederates, Pipeline, Sunset Baby, Blood at the Root, and Follow Me To Nellie’s. She is the Tony Award-nominated bookwriter on the Broadway musical Ain’t Too Proud: The Life and Times of the Temptations and is currently working on her latest, Hippest Trip - The Soul Train Musical. Television/Film credits include Shameless (co-producer and writer), the film adaptation of the documentary STEP (co-producer), and consultant on the Netflix animated feature, Tunga. Awards include Playwrights of New York (PoNY) Fellowship, TEER Trailblazer Award, Steinberg Playwright Award, Audelco Awards, NBFT August Wilson Playwriting Award, Edward M. Kennedy Prize for Drama, two OBIE Awards, Ford Foundation Art of Change Fellowship, and a MacArthur Genius Grant Fellow. In 2022, Dominique was awarded the key to the city by the Mayor of Detroit.
RAYMOND O. CALDWELL (Director) is an award-winning director, writer, producer, and educator. He is the Artistic Director of The Fountain Theatre in Los Angeles. Recent theatre credits include Look Both Ways: A Tale Told in Ten Blocks at The Kennedy Center, Romeo and Juliet at Folger Theatre, Poetry for the People: The June Jordan Experience at Theater Alliance, Fly Me to the Sun at 1st Stage, Skeleton Crew at The Contemporary Theatre of Ohio, Passing Strange at Signature Theatre (DC), one in two at Mosaic Theater Company, and Nollywood Dreams at Round House Theatre. He received the 2023 Stage Directors and Choreographers’ Foundation (SDCF) Zelda Fichandler Award for directing. Raymond is the former Artistic Director of Theater Alliance. Prior to artistic leadership, he was a faculty member and resident director at Howard University. He also served for six seasons as the Community Engagement Partnership Manager at Arena Stage. He obtained an MFA in Acting/New Play Development at The Ohio State University and a BFA in Acting from the University of Florida. raymondocaldwell.com.
KALEN ROBINSON (Pumpkin) is an actress, dancer, and singer making her Studio debut. Her theatre credits include Finn at The Kennedy Center, Look Both Ways: A Tale Told in Ten Blocks national tour with The Kennedy Center, Beautiful: The Carole King Musical at Olney Theatre Center, The Sensational Sea-Minkettes at Woolly Mammoth Theatre Company, Metamorphoses at Folger Theatre, Nate the Great and The Hula-Hoopin’ Queen at Imagination Stage, Passing Strange at Signature Theatre (DC), Once on This Island at Constellation Theatre Company and Lyric Theatre of Oklahoma, Spring Awakening at Round House Theatre, and Cinderella and The 25th Annual Putnam County Spelling Bee at Fulton Theatre. Originally from Atlanta, GA, she received her BFA in Musical Theatre at Howard University. kalenrobinson.com. On social media @k_nicole143 (Instagram).
AMARI CHEATOM (Blue; he/him/his) is making his Studio Theatre debut. His theatre credits include Red Velvet at Shakespeare Theatre Company; The Book Of Grace at The Public Theater; Zooman and The Sign at Signature Theatre Company (NYC); Jitney at Manhattan Theatre Club; Sally &Tom at the Guthrie Theater; Skeleton Crew at the Geffen Playhouse and The Old Globe; Detroit ’67 at Baltimore Center Stage; A Raisin In the Sun at Theatrical Outfit; The Temple Bombing at Alliance Theatre; and Fetch Clay, Make Man at True Colors Theatre Company. Amari can also be seen in films such as Judas and the Black Messiah; Roman J. Israel, Esq.; Moths & Butterflies; and Django Unchained. He received training from The Juilliard School, Youth Ensemble of Atlanta, and Tri-Cities High School of Visual and Performing Arts.
MARTY AUSTIN LAMAR (Corn) is an actor, musician, assistant professor, and arts advocate. Some of his theatre credits include Choir Boy at Studio Theatre and Miss Evers’ Boys Off Broadway at the Red Fern Theatre Company. Other credits include The Amen Corner at Shakespeare Theatre Company; Ragtime at 5-Star Theatricals and Portland Center Stage; Ain’t Misbehavin’ at Ebony Repertory Theatre; Little Shop of Horrors at Constellation Theatre Company; Spunk at Signature Theatre (DC); On the Brink at The Kennedy Center; Big River at Mill Mountain Theatre; and Don’t Bother Me, I Can’t Cope at The Essential Theatre. Television credits include Law & Order (NBC) and a Blue Bunny ice cream national commercial campaign. Marty’s musical directing credits include Black Nativity, A Chorus Line, Merrily We Roll Along, The Lightning Thief, and Handel’s Messiah.
RO BODDIE (P-Sam) is an actor, musician and educator. His Studio Theatre credits include Pipeline, Three Sisters, No Sisters, and Dirt. His Off Broadway credits include Socrates at The Public Theater and Seize the King at The Classical Theatre of Harlem. Select DC credits include The Comedy of Errors at Shakespeare Theatre Company; Topdog/Underdog, The Mountaintop, August Wilson’s Radio Golf, and The Tempest at Round House Theatre; Tempestuous Elements at Arena Stage; and The Agitators at Mosaic Theater Company. Ro has acted at regional theatres such as La Jolla Playhouse, Cleveland Play House, The Old Globe, Mark Taper Forum, Bay Street Theater, Baltimore Center Stage, and more. Select TV credits include Godfather of Harlem (Epix), Run the World (Starz) and The Good Wife (CBS). Ro is a proud alum of University of North Carolina School of the Arts ’09. On social media @roboddieart (Instagram).
ANJI WHITE (Silver)’s theatre credits include Fat Ham at Goodman Theatre (co-production with Definition Theatre), East Texas Hot Links and for colored girls who have considered suicide / when the rainbow is enuf at Court Theatre, Sunset Baby at TimeLine Theatre Company, Skeleton Crew at Northlight Theatre, and The Project(s) at American Theater Company. Anji's television credits include Fargo (FX), Chicago Med (NBC), 61st Street (AMC), The Chi (Showtime) and more. Anji will appear in Marvel's Ironheart premiering in June 2025. Anji has received a Joseph Jefferson Award for Best Ensemble and a Black Theatre Alliance Award for Best Actress. She is represented by Paonessa Talent. Matthew 6:33.
MICHAEL A. THOMAS (Trumpet) is a trumpeter, recording artist, writer, band leader, and Grambling State University alumnus. He’s collaborated with renowned artists/bands like The Count Basie Orchestra, Washington Renaissance Orchestra, Buck Hill, Andrew White and many others. In 2023, his quintet celebrated 25 years with 25 under JazHead Entertainment LLC. Their performances at “Jazz at Westminster” have solidified their place in DC’s vibrant jazz scene. Passionate about music and community, Michael is a key figure in the DMV’s historic jazz scene. On social media @MThomas_JazHead (Instagram, Tik Tok, Twitter, Facebook). On all digital music platforms (Michael Thomas Quintet) jazhead.com and linktr.ee/jazheadstore.
MARK SALTMAN (Bass) resides in the Washington, DC area and has an M.A. in composition from the University of Massachusetts Amherst, where he studied with musical pioneer Dr. Yusef Lateef. He has played numerous gigs on the double bass in theaters and clubs and has taught music in the public and charter school systems. Mark scored the award-winning feature film Dante and the short film Lifecell, as well as other short films. He co-leads the original jazz group SaltmanKnowles with pianist William Knowles. He has also written articles about the nature of music and color, Synaesthesia. He is intensely interested in all things creative and recently earned a black belt in martial arts. saltmanknowles.com.
Arielle Moore (she/her) is an actor from Philadelphia. Her theater credits include Fat Ham at Studio Theatre (understudy), Romeo and Juliet at Chesapeake Shakespeare Company, and The Chameleon at Theater J. Her educational credits include The Sins of Sor Juana, The Winter’s Tale, and The Women at American University, where she received a B.A. in Theatre Performance. On social media @itgirlarielle (Instagram). ariellermoore.com
Obinna Nwachukwu is an actor and songwriter. His theatre credits include Good Bones at Studio Theatre (understudy), Dracula at Chesapeake Shakespeare Company, and The Very Last Days of the First Colored Circus at Restoration Stage. Obinna can be seen in the film Residue screening at the Lincoln Center for the Performing Arts in New York City.
Jason M. Jones is an actor, musician, and creator. His theatre work includes Pipeline at Studio Theatre (understudy). On screen, he can be seen in television projects such as The Girls on the Bus and We Own This City, as well as the film The Bad Guardian. He earned his BFA in Theatre Arts from Howard University in May 2025. On social media @actorjasonmjones (Instagram).
Aysia Glenn is an artist, creative, and actor from Chesterfield, VA. She is a recent graduate of Howard University’s Chadwick A. Boseman College of Fine Arts, where she received her BFA in Theatre Arts with a concentration in Acting. Post-graduation theatre credits include Exception to the Rule at Studio Theatre (understudy), Midiculous, at The Keegan Theatre, and the workshop production of A Wrinkle In Time at Arena Stage. Her TV/film credits include Netflix’s She's Gotta Have It (Seasons one and two), BlacKKKlansman, and Be Truly Free (A Spike Lee joint with VEON). During her time at Howard she was a part of productions ofThe House That Will Not Stand, The Vagina Monologues, and Smoke & Mirrors (Howard Players One Act Play Festival). On social media @_aysia_monet (Instagram).
LAWRENCE E. MOTEN III (Set Designer; he/him/his) is making his Studio Theatre debut with Paradise Blue. His work has been seen on Broadway with Chicken & Biscuits. Off Broadway credits include scenic designs for A Guide for the Homesick at DR2 Theatre, The Ghost of John McCain at SoHo Playhouse, The White Chip at MCC Theater, Covenant at Roundabout Underground, Patience at 2ST Uptown, and both Stew and Stargazers with Page 73. Regionally, Lawrence’s work has been seen at Shakespeare Theatre Company, Hartford Stage, The Old Globe, the Guthrie Theater, McCarter Theatre Center, The Santa Fe Opera, Wolf Trap Opera, American Players Theatre, Two River Theater, and many others. He currently teaches at Princeton University. Lawrence is a proud member of USA 829. motendesigns.com. On social media @motendesigns (Instagram).
CIDNEY FORKPAH (Costume Designer)’s credits include American Fast and The Trans-Atlantic Time Traveling Company at Theatre Alliance; hang and Quilters at 1st Stage; Fuenteovejuna, Bathing in Moonlight, KUMANANA! An Afro-Peruvian Musical Revue, and La Revoltosa at GALA Hispanic Theatre; Cracking Zeus at Spooky Action Theater; The Tempest at Devil’s Isle Shakespeare Co.; and Diagnosed at Creative Cauldron. Her associate costume designer credits include Look Both Ways: A Tale Told in Ten Blocks at Theater Alliance and The Kennedy Center, the national tour of On Your Feet!; On Your Feet! En Español at Gala Hispanic Theatre, Through the Sunken Lands and Show Way the Musical at The Kennedy Center Theatre for Young Audiences, Our Verse in Time to Come at Folger Theatre, August Wilson’s The Piano Lesson at Prince George’s Community College, and Julius Caesar and The Cherry Orchard at Shakespeare Theatre Company’s Academy for Classical Acting. She is Costume Supervisor with Folger Theatre. cidneyforkpah.com. On social media @cidneyforkpah (Instagram).
KEITH PARHAM (Lighting Designer) returns to Studio Theatre where he previously designed Pass Over, Translations, Hand to God, and The Father. His Broadway credits include Between Riverside and Crazy and Thérèse Raquin. His Off Broadway credits include Man from Nebraska at Second Stage; The Purple Lights of Joppa Illinois and Between Riverside and Crazy at Atlantic Theater Company; The Model Apartment at 59E59; Tribes, Mistakes Were Made, and Red Light Winter at Barrow Street Theatre; Stop the Virgens at St. Ann’s Warehouse and Sydney Opera House; Ivanov and Three Sisters at Classic Stage Company; A Minister’s Wife at Lincoln Center Theater; and Adding Machine: A Musical at Minetta Lane Theatre. Recent regional credits include the Goodman Theatre, La Jolla Playhouse, Arena Stage, and TUTA Theatre Chicago. International work includes Homebody/Kabul at the National Theatre in Belgrade, Serbia. He is the recipient of an Obie Award and a Lucille Lortel Award.
MATTHEW M. NIELSON (Sound Designer) returns to Studio where his design and composition credits include Hand to God, Clyde’s, The Remains, MotherStruck, The Real Thing, and Venus in Fur. His DMV-area credits include shows with Arena Stage, Ford’s Theatre, The Kennedy Center, Round House Theatre, Woolly Mammoth Theatre Company, Signature Theatre, Olney Theatre Center, Theater Alliance, the Contemporary American Theater Festival, and The Smithsonian Institution. Off Broadway credits include The Public Theater, Lincoln Center Theater, and 59E59 Theaters. Regional credits include the Guthrie Theater, Denver Center for the Performing Arts, Cincinnati Playhouse in the Park, Milwaukee Rep, Portland Center Stage, Actors Theatre of Louisville, Philadelphia Theatre Company, and Barrington Stage Company. Film and TV credits include Netflix, OWN, Discovery Channel, National Geographic, and Delivery.com. Matthew has received several Helen Hayes, regional theatre, and film festival awards for his sound design and composition work. curiousmusic.com.
WILLIAM KNOWLES (Music Director and Composer) is a composer, arranger, music director and pianist. His first theatre job was Bessie’s Blues at Studio Theatre in 1995 and he was delighted to return last year for The Colored Museum. William has also worked at Arena Stage, Mosaic Theater Company, CenterStage, Milwaukee Rep, MetroStage, Great Lakes Theater, Idaho Shakespeare Festival, and The 5th Avenue Theatre, where he will return this summer as music director for After Midnight. Offstage, he has released eight jazz CDs with music partner Mark Saltman, most recently Native Speaker. When not on the road, he can be found playing jazz gigs in the DC area. On social media @williamknowlespiano @saltmanknowles (Instagram).
SIERRA YOUNG (Intimacy Coordinator; she/ her) is a multi-hyphenate artist in the DC/Baltimore area. Sierra is an active member of the Society of American Fight Directors, Intimacy Directors & Coordinators, SDC, and serves as the resident fight and intimacy director for Mosaic Theater Company. Recent Studio credits include The Scenarios, Downstate, Exception to the Rule, and The Colored Museum. Recent DC choreography credits include The Age of Innocence, Jaja’s African Hair Braiding, and POTUS at Arena Stage; Sister Act and Little Shop of Horrors at Ford’s Theatre; Spring Awakening (HH nominated) at Monumental Theatre Company; King Lear (HH nominated) at Shakespeare Theatre Company; and Prayer for the French Republic at Theater J. Upcoming projects include Frankenstein at Shakespeare Theater Company, Twelfth Night at Folger Theatre, Head Over Heels at Constellation Theatre Company, and Porgy and Bess at the Washington National Opera. sierrayoung.org.
ROBB HUNTER (Fight Choreographer) has directed violence for more than 25 Studio productions including Downstate, White Noise, Vietgone, Hand to God, Invisible Man, Superior Donuts, American Buffalo, Red Speedo (Helen Hayes [HH] nomination), and The Walworth Farce (HH nomination). He also directs movement/violence for Shakespeare Theatre Company, including for King Lear, Richard III (HH nomination), A Comedy of Errors and others; as well as Arena Stage, Folger Theatre, Woolly Mammoth Theatre Company (HH award for Hir and nomination for An Octoroon), Signature Theatre (DC), Ford’s Theatre, and others. He is a member of SDC, AEA, SAG/AFTRA, and one of only 21 Fight Masters recognized by the Society of American Fight Directors. He is the combat instructor at the Shakespeare Theatre Company Academy, Fight Choreographer in Residence at American University, and teaching artist for The Studio Theatre Acting Conservatory. robbhunter.org and on social media, @DCFightDirector (Instagram).
ADRIEN-ALICE HANSEL (Dramaturg; she/her) is the Literary Director at Studio, where she has dramaturged the world premieres of The Scenarios, Problems Between Sisters, Good Bones, John Proctor is the Villain, I Hate it Here, Queen of Basel, Red Speedo, and Lungs, among others, as well as productions of Summer, 1976; Exception to the Rule; The Colored Museum; Fat Ham; Fun Home; English; Curve of Departure; Wig Out!; and New Electric Ballroom; among many others. Prior to joining Studio, she spent eight seasons as a member of and then running the Literary Department at the Actors Theatre of Louisville and its Humana Festival of New American Plays. She is the co-editor of eight anthologies of plays from Actors Theatre and editor of 13 editions of plays through Studio. Adrien-Alice holds an MFA from the Yale School of Drama.
LAUREN PEKEL (Production Stage Manager) returns to Studio Theatre after last working on Fat Ham. Some of her favorite Studio credits include Fun Home; Good Bones; People, Places & Things; Doubt; Cry It Out; Vietgone; P.Y.G. or the Mis-Edumacation of Dorian Belle; Skeleton Crew; The Father; and No Sisters. Her other DC credits include productions with Signature Theatre, Arena Stage, Folger Theatre, Woolly Mammoth Theatre Company, Theater J, Mosaic Theater Company, Theater Alliance, and The Kennedy Center. Regionally, she has worked with the American Conservatory Theater, the Peterborough Players, and Skylight Music Theatre among others. Lauren is an alumna of the University of Wisconsin Milwaukee’s Theatre Program with a BFA in Stage Management and is a proud member of Actors’ Equity Association.
KATJA ZAROLINSKI, CSA (Casting) is thrilled to be casting for another production for Studio Theatre. Katja is a New York-based casting director handling productions for theater, film and television. Previous casting work includes Broadway, off Broadway and regional productions at Alley Theatre, Arena Stage, Asolo Repertory Theatre, Baltimore Center Stage, Barrington Stage Company, Berkshire Playwrights Lab, Cape Playhouse, Chicago Shakespeare Theater, Connecticut Repertory Theatre, Contemporary American Theater Festival, Crossroads Theatre Company, Everyman Theatre, Florida Studio Theatre, George Street Playhouse, Goodspeed Musicals, Guthrie Theater, Irish Repertory Theatre, Kansas City Repertory Theatre, Marin Theatre Company, Merrimack Repertory Theatre, Olney Theatre Center, Oregon Shakespeare Festival, Pittsburgh CLO, PlayMakers Repertory Company, Pittsburgh Public Theater, The Repertory Theatre of St. Louis, Seattle Rep, Shakespeare & Company, Shakespeare Theatre Company, Signature Theatre (DC), South Coast Repertory, TheaterWorks Hartford, Virginia Stage Company, Weston Theater Company and many more.
Paradise Blue Community Partners
Confronting Erasure
The Detroit Project
The Profound Work of Dominique Morisseau
An Introduction to Paradise Valley and Black Bottom
"Mad At Miles" - Pearl Cleage and Accountability
A Note from the Dramaturg, Adrien-Alice Hansel